Showing posts with label my ruined childhood memories. Show all posts
Showing posts with label my ruined childhood memories. Show all posts

Sunday, December 31, 2017

Big Jim - Master of the Universe

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LITTLE KNOWN FACT #1: Well, more of a "rumor/legend has it"....HE-MAN was originally created to be toy adaptations of Arnold'sCONAN THE BARBARIAN. In fact, me and a few others swear our first He-Man figures said "He-Man: The Barbarian(not "He-Man: Master of the Universe"). Due to CONAN's mature/graphic nature, the movie toyline was changed to the 1982+ He-Man toyline and cartoon we all know.

LITTLE KNOWN FACT #2: Much of He-Man's initial concept designs were taken from the 1971 toyline "BIG JIM". Check out the many similarities below, thanks to NLogan at RetroJunk (who did all the grunt work for this swiped post):

BIG JIM & HE-MAN
No similarities, but here you have the 2 main heroes
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CAPTAIN DRAKE & SKELETOR
Hooded skull heads of villainy
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IRON JAW & TRAP JAW
Metal jaws and hook hands
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VEKTOR & ZORAK and MAN-E-FACES
Multiple faces, enclosed helmet and tubular chest
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BORIS & FISTO
Metal fists of fury
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DR. STEEL & JITSU
Metal hands with "Karate Chop!" arm action
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BIG JIM TIGER & BATTLE-CAT and PANTHOR 
(& Tarzan's "Jungle Cat")
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THE WHIP'S whip & BEAST MAN'S whip
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BIG JIM EAGLE and ZOAR & SCREECH---

BIG JIM VEHICLE & ATTAK TRAK

Tuesday, February 25, 2014

Bizarre Kiddie Cartoon Conspiracy Theories

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Rugrats - Dead Baby Theory


We all know Angelica is a little nutty, but the Rugrats theory takes it to a whole new level. Get this — “The Rugrats really were a figment of Angelica’s imagination. Chuckie died a long time ago along with this mother; that’s why Chaz is a nervous wreck all the time. Tommy was a stillborn; that’s why Stu is constantly in the basement making toys for the son who never had a chance to live. The DeVilles had an abortion. Angelica couldn’t figure whether it would be a boy or a girl, thus creating the twins.” Okay, well that potentially explains why Angelica can speak to both the adults and the babies, but we’re still not entirely convinced. What about Susie?! 

Spongebob Squarepants - Nuclear Druggies



We’re bringing you two theories for SpongeBob Squarepants; the Nuclear Testing Theory and the Drug Theory. Like most things on the Internet, our first SpongeBob theory is from Reddit — “The existence of Spongebob and his strange friends is the result of radiation from nuclear arms testing that was performed on the Bikini Atoll in the late ’40s and early ’50s. Since they live under the atoll, the town is known as ‘Bikini Bottom’.” Out of all these theories, this one makes the most sense. After all, the show was created by a former marine biologist.

Next up, we have a theory that “SpongeBob SquarePants is all about drugs,” appropriately offered by a user on stonerforums.com. “SpongeBob SquarePants is on meth amphetamines. He’s always really, really happy, energetic, and occasionally paranoid. If he ever is in a bad mood, it’s the result of a major crash. He goes from really happy to really sad or really angry. There’s no middle ground. Patrick Star is a stoner. He laughs at stupid things and eats all the time. He must go through, like, a pound of weed a week. Squidward Tenticle is on heroin. He’s always down and he yells at SpongeBob for being hyped up and energetic. Mr. Krab is on coke. He’s really uppity and he’s always concerned about money — coke is expensive. Sandy Cheeks is just an alcoholic. She ruins every episode she’s in because she’s always drinking.”

Hey Arnold! Grandparents Theory


We don’t believe this one, mostly because there were episodes with photos and flashbacks to Arnold’s parents, but there’s a big Hey Arnold! theory that Arnold’s wacky grandparents are, in fact, his real parents, and his “football head” is the result of a deformity — “Arnold Chiari syndrome.”

Scooby-Doo Post-Depression Theory



Here’s another fun one from Reddit — “The original Scooby-Doo series is set after a horrible economic depression. Everything is abandoned and falling apart, and all of the villains are people who would normally be respected (professors, museum curators, celebrities) who have fallen into hard times just like everyone else.”


The Flintstones Post-Apocalyptic Theory



Cracked lends us an interesting theory on The Flintstones, which explains the family’s Christmas celebrations and modern technology in what we believed to be B.C. “Remember, The Flintstones originally aired from 1960 to 1966, at the height of the Cold War. What if a nuclear showdown between the Soviets and Americans was what blew Bedrock to kingdom come? What if the Flintstones are us in the future, clinging to the best of our past as we rebuild? The familiar technology, entertainment and religion are all that remain from the fractured memories of a shattered history that never was.”

Powerpuff Girls Multiple Personality Theory


Here’s another intense one from a Soompi user — “The three Girls — Blossom, Bubbles and Buttercup — are all fractions of one host personality, whose name is unknown to the audience, but for convenience’s sake we will call her Brenda. The cause for the development of Multiple-Personality Disorder in Brenda originates from bullying in early childhood by her older brother, whose actual character is unknown to the audience, but is manifested in Brenda’s hallucinations as Mojo Jojo, the Girls’ greatest nemesis.” Thoughts? Click the link for the author’s extended explanation.

Ed, Edd n Eddy Purgatory Theory



This theory originated with a long post on 4chan, but it essentially implies that Ed, Edd n Eddy‘s cul-de-sac is cursed, and its former residents died before they grew up and are therefore stuck at the cul-de-sac on another plane, much like purgatory

Garfield Hallucination Theory



Here’s one that gives us chills — the theory that Jon and Odie don’t exist. “Garfield is actually dying of starvation and just imagining Jon and Odie. There was a reference to this in a Halloween-themed comic. Garfield woke up in a condemned and abandoned house. He calls out for Odie and Jon, but there is no answer. He then wills the illusion back on himself, and continues his delusions about his ‘family’.” Check out this creepy comic



Courage the Cowardly Dog Nowhere Theory


This Courage the Cowardly Dog theory could be real, right? “Courage is actually a normal dog and he sees the world through a dog’s eyes. All the villains in the show are just normal people, but to a little dog they seem scary. They don’t actually live in the middle of Nowhere, but since his owners are too old to take him outside for walks, he only knows what’s around his immediate property, and everything beyond that is nothing because he’s never seen it.”

Dexter’s Lab Theory



How could a kid have a laboratory in his house, you ask? One theory insists that he didn’t — it was all in his head. As a socially awkward introvert, Dexter relied heavily on his imagination. His “rivals” were his few friends with similarly huge imaginations, and when they played together, the usual fantastical Dexter’s Lab shenanigans would ensue. Dexter’s big imagination also explains his bizarre accent.

Donald Duck has PTSD

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From The Journal of Cartoon Overanalyzations comes this diagnosis for Donald Duck’s erratic behavior (though not for his epidemic of pantslessness): he has Post-Traumatic Stress Disorder, induced when he was a paratrooper in WWII. As the theorist notes, he seems to have fairly regular flashbacks, difficulty responding normally to social stimuli, and “persistent symptoms of increased arousal (e.g. difficulty falling or staying asleep, anger and hypervigilance)” — not to mention a total disinterest in talking about his wartime experiences.

The Smurfs are white supremacists/Nazis/anti-Semites
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Er, blue supremacists? Either way, many have noted that the Smurfs wear pointed white hats, except for their leader, who wears a pointed red hat — much like the fashion decisions of the KKK. There’s also the related fact that the big villain, Gargamel, is a money-loving, large-nosed, dark haired fellow. His cat even has a bona fide Jewish name, Azrael — which is also the name of the angel of death in Jewish tradition. There’s also this. And that’s not even all the Smurf conspiracy theories — check out a roundup of a few more here.

The Care Bears is “Voodoo masquerading as children’s entertainment”
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According to at least one writer, The Care Bears is the absolute height of Voodoo infiltration in children’s entertainment:

Start with the name first. Who can deny the similarity between the name Care Bears and Carefours, the district of Port au Prince which is the heart of the Voodoo world? Can the cloud city of Care-a-Lot be anything but an idealized ‘holy city’ of the Lwa – a divine reflection of Carefours? Then consider some of the terminology. The Care Bears constantly want to ‘Share until you care’, just as the Lwa want to share the bodies of their worshipers. The Care Bears are constantly trying to be children’s ‘friends’, just as the Voodoo Lwa are often referred to by their followers as ‘friendly spirits’ or just ‘friends’.
Plus, the cuddly insignias (er, “arcane symbols”) on the Care Bears’ tummies line up rather nicely with the symbols of the Voodoo gods. Hide your children! (Note: the source article is tagged “Humor and Satire,” so it’s possible the writer doesn’t really believe this stuff — but it was too good a theory not to share)

Aladdin‘s Genie and the salesman are the same person

aladdin

Remember the frame narrative at the beginning of Aladdin? Well, some enterprising viewers on Reddit have noticed some alarming similarities between the salesman, trying to pawn off what we soon discover is actually the Genie’s lamp (or an identical one), and the Genie himself. Firstly, they’re both voiced by Robin Williams. Secondly, they both wear (or “wear”) blue with a red sash at the waist. They have the same facial hair — bushy eyebrows and a beard that ends in a little curl. But the clincher is this: they’re the only two characters in the film that have only four fingers. So the Genie got free and decided to sell trinkets? It’s not totally impossible. But as one Redditor says, “Go deeper, the Genie is the merchant, trying to sell himself.” Whoa.

Aladdin is set in the future
Aladdin---Jasmin-aladdin-613149_1181_815

Here’s another popular theory for you Aladdin fans. The Genie says he’s been locked in his lamp for 10,000 years, right? He also tells Aladdin his clothes are “so third century.” Which, as many smart-aleck commenters have pointed out, would set the action of the movie in at least 10,300. So that explains all the flying carpets and magic — just future tech made rare in a post-apocalyptic, semi-Arabic world.

Dr. Claw is the real Inspector Gadget
claw1

According to this popular fan theory, related by Cracked, the reason we never see Dr. Claw’s face is that he is — gasp — actually the real, or at least the original, Inspector Gadget! That is, according to this theory, which states that the Inspector Gadget we know and love is a robotic recreation of the man Dr. Claw once was, a normal human detective who suffered a terrible accident.

That’s where his conveniently smart niece comes in: Penny, in her grief, recreated her uncle as a crime-fighting robot … ignoring that the real man wasn’t dead, only disfigured and insane. This would also explain why nothing ever happens to Penny, even though Claw’s cronies seem to catch her every episode: She always finds a way to ruin Claw’s plans because she’s the only thing he still cares for. And hey, remember the part at the end of the opening theme where Gadget turns Claw’s chair around and there’s a bomb in it? A bomb that then explodes in Gadget’s face? Perhaps this was meant to be symbolic. Perhaps there’s no Claw, just Gadget. 

Tom and Jerry is Nazi propaganda
tom-collared1

Well, this can’t be true, but somebody believes it, so it counts as a theory. Jim McLennan writes:

As well as being the most Oscar-winning duo in history, Tom and Jerry were also more-or-less the opposing sides in World War II: Tommies, the British soldiers, and Jerries, the Germans… I think it’s safe to assume, especially in the context of a series which began right around the time of the Battle of Britain, that the choice of these names was no accident, especially since it precedes the American entry into World War II. They are also markedly different to the meaningless names selected for other MGM cartoon characters around that time e.g. Sniffles, Droopy, etc… Perhaps the most disturbing thing about this theory is that Jerry is the good guy, the peace-loving victim of Tom’s evil schemes, but who usually wins due to his superior intelligence. Read in a wartime context, the suggestion that violence isn’t a solution goes beyond the subversive and borders on outright sedition. An alternative explanation that Jerry = GI is no more loyal, since it suggests the two Allied sides were fighting each other. In either case, it’s certainly worth noting that MGM were conspicuous by their absence in the field of animated Allied propaganda: even at the height of the war, Tom and Jerry was a series almost entirely free of political commentary.

Charlie Brown is dying of cancer

A-Charlie-Brown-Thanksgiving-peanuts-26551492-1067-800

Oof. This one hurts. According to at least one theorist, “My personal explanation for why Charlie Brown in Peanuts is bald is he’s dying of cancer and dreaming up everything. In the strip nothing ever works out for him and his life is a disaster, but he’s simply channeling his sadness into his dreams.”

Pokemon‘s Ash is actually in a coma
Ash_and_Pikachu_in_Future_Episode

For almost every unrealistic kids’ cartoon out there (read: all of them), there’s a theorist explaining how the main character is actually insane/in a coma/dead and that’s why the world he “inhabits” is so bonkers. It’s pretty self explanatory — but this theorist really goes above and beyond.

The kids from The Magic Schoolbus grow up to be the kids from Captain Planet.
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Well, just look at them. No random group of young people is so pointedly multiracial. Originally spotted by Jamie Steinheimer, this more in-depth explanation comes from Geekosystem:

Gaia pulled a Jacob (see: LOST), kidnapping a bunch of children and relocating them to an island where she brainwashed them into thinking they were in “school” and she was their teacher, Miss Frizzle. In reality this was an indoctrination camp where she created the perfect pollution fighters by instilling a love of science and ecology into them at a young age.

Not all the kids made the cut. Phoebe resisted the brainwashing, unable to forget her previous life and constantly making references to her “old school.” It was a pathetic cry for help, and an attempt to hold onto her lest shred of sanity. Ralphie fell under Janet’s spell and the two escaped the island, only to be driven mad by their memories. Eventually, they turned to a life of crime becoming Hoggish Greedly and Dr. Blight respectively. The mysterious time-dialating effects of Gaia’s island accounts for their discrepancies in age. Keesha’s current whereabouts are unknown.

When her “class” had matured sufficiently, Frizzle/Gaia wiped their memories and sent them out as an eco-friendly sleeper cell until she had need of them. Years later, she gave them the power rings, and sent them off on an ecologically toyetic series of adventures.

WALL-E is a cannibal robot who destroyed Earth
WALL-E
Sweet and cuddly robot in a post-apocalyptic setting or merciless scavenger molding the new world to his liking? According to one Reddit user, definitely the latter:

The Earth recovery act was going perfectly fine until one WALL-E unit went rogue. This particular unit wasn’t very good at its job, often refusing to crush particular object. Instead it wanted to keep these trinkets as treasures. However all the other units were still indiscriminately compacting everything, including trinkets this particular WALL-E wanted. So this rogue unit began destroying all the other units and cannibalizing their parts. It continued its senseless cannibalism until there weren’t enough WALL-E units left to combat the growing problems of Earth. Its continued cannibalism allow this rogue unit to continue operating long past is original operational life span, continuing to function for over 700 years. Alone, he can now selective pull out and protect his trinkets while still compacting all the rest of the earths junk.

In the movie we see tons of mindless parts cannibalism preformed by our protagonist. He takes the trends off of a fallen comrade without a second thought. He hoards the parts of his dead brothers in his trailer along with all his precious trinkets that he had to protect from all the other WALL-E units. The reason why there is still so much trash on earth despite 700 years of compacting is because all the other compactors were killed early on and thus for 700 years only 1 unit has been working on the trash instead of a whole plant worth of units.

The fairies in The Fairly Oddparents are metaphors for anti-depressants
From left: Cosmo, Timmy and Wanda © Nickelodeon

According to a theory that comes, yet again, courtesy of Reddit, Timmy’s fairy godparents are simply metaphors for Zoloft and Prozac — they’re there to help him through his problems, but only until he doesn’t need them anymore. Plus, not only did they start showing up at the same time as his problems, but there are some serious side effects every time he abuses their “magic.”

Or maybe they’re just imagined by a sexually abused little boy
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Here’s another theory: “The Fairly Oddparents is about a kid playing pretend with his fish. His godparents died in a car crash when he was younger; since they were the only adults who ever understood him, he finds comfort in imagining that they are there to watch over him, since his parents obviously don’t care. His babysitter slaps him around but he isn’t brave enough to tell on her. The granted wishes are all in his imagination, hence why they never have any lasting consequences. Mr. Crocker has made sexual advances on young Timmy for years, hence the delusion that he is desperate to steal Timmy’s ‘fairies,’ which represent his innocence, joy, hope, and good wishes for the future.” Now that is bleak.

Totoro is the Angel of Death
My.Neighbor.Totoro.full.34268

Because everyone who sees him dies in short order. And then there’s this fishy thing about the sisters having no shadows… Read the whole breakdown here.

Toy Story 3 is a Holocaust allegory
TOY STORY 3

Jordan Hoffman at Ugo has made some highly disturbing observations about the latest installment in everyone’s favorite franchise — namely, that it’s a direct allegory to the Holocaust, with the toys as the Jews. It starts when Andy leaves for college:

These toys are left behind, just as host nations left behind the Jews as the Third Reich conquered Europe.

Woody holds a meeting, where the assembled toy family discusses possible outcomes for their new position in the world. Change a few words and it is the same exact scene at the train station from Roman Polanski’s award winning Holocaust drama The Pianist.

No, we won’t just be abandoned. Surely we can be useful to them somehow. Yes, we’ve lost friends (Bo Peep), but surely that can’t happen to us.

Buzz Lightyear stands forward and suggests sanctuary IN AN ATTIC. Are you kidding me?

The cattle car comes for the toys in the form of a horrible garbage bag – but they don’t go straight to extermination. They find themselves alive and at Sunnyside where they are put “to work.” (Consider this, then, Dachau instead of Treblinka.)

Once there, they meet the toy version of Sonderkommando, toys who live the stay fed and well-sheltered (like Ken in his dream house) while leading other toys to a certain death. Newcomers are bashed and abused in the “Caterpillar Room” by non-age appropriate children until they resemble Muselmann and are eventually thrown into the trash chute.

The trash chute leads to a systematic sorting of metal (e.g. any last valuables) until, eventually, the fiery crematoria.

Our heroes get saved at the last minute, of course, and they find themselves a new homeland. It is a place where many of their kind already live and have an established foothold, and it would appear that security, finally, is at hand if they are vigilant.

And in case your mind isn’t blown enough, the same writer can also give you the rundown on Toy Story 3 as a Marxist text, as an Existentialist text or as a panoply of World Religions.

Saturday, October 15, 2011

6 Classic Kids Shows Slapped Together From Recycled Material

Source

When you were a kid, you didn't question where cartoons came from. The Ninja Turtles were just there, having wacky adventures even as you turned off the screen, possibly watching you as you slept. Of course, as you grew up you realized that a lot of these shows were made to do nothing but sell toys.

But even then, you actually weren't being cynical enough. A lot of these shows weren't so much "made" as "shoddily slapped together from some older bullshit (usually from Japan)."

And some of them were shows that you loved.

#6. Transformers Was a Bunch of Toys From Different Toy Lines

The Classic Show You Loved:

What makes Transformers so well-loved and iconic is that, even though they're robots, you can immediately tell who's good and who's bad just by looking at them: Megatron looks like the soul of a rapist possessed by a tank, whereas Optimus has an aura of righteousness. If America were a truck, it's name would be Optimus Prime.


"I get 32 gallons to the mile."

But Actually ...

Optimus and Megatron were never supposed to be enemies -- in fact, they didn't even belong to the same toy line. Basically, Hasbro grabbed two different sets of toys from Japan and paid the Marvel Comics staff to come up with new names for all the robots. The result was Transformers. The same characters already had origins and personalities in Japan: For example, "Megatron" was meant to be a good guy.

1501bc
Because there's nothing more heroic than morphing into a Nazi handgun, apparently.

Megatron, Soundwave and others came from a toy line called Microman, where the premise was that these little space robots came to Earth and disguised themselves as household items to protect kids. This explains why Megatron (a supposedly giant robot) turned into a regular-sized pistol, but it does not explain why they expected children to have said pistols lying around in their drawers, like in this early commercial:

Meanwhile, Optimus came from a different toy line called Diaclone, which was actually supposed to be battle mechas -- they even included a little metallic figure called "Inch-Man," which represented the pilot. Yes, the horrifying implication here is that Optimus (or "Battle Convoy," as he's still known in Japan) had as much of a personality as, well, a truck. In fact, if you look at him carefully, it's easy to tell that he was always meant to be just another mindless giant robot, like Voltron.

transformersbay
Just another experiment to figure out who would best obliterate Tokyo.

If you're still not convinced, here's a commercial with "Optimus" combining with other robots, Japan style:

So the entire idea of the Transformers cartoon was to act as 30-minute commercials for the toys that Hasbro was importing from Japan (which on some level you surely already suspected). In fact, remember the original Transformers cartoon movie from the '80s? The main reason why they killed off so many characters there (including Optimus) was to make space for the new models.


And to become the highlight of Orson Welles' career.

They even planned a scene where they "wiped out the entire '84 product line" in one brutal attack, and "whoever wasn't discontinued stumbled to the end." Because, you know, seeing Optimus die onscreen wasn't enough. In the alternate reality where this scene made it to the finished movie, mankind is on the verge of extinction due to the sudden suicide of all children in 1987.

#5. Power Rangers Was Three Shows Cobbled Together

The Classic Show You Loved:

Five teenagers with an unhealthy love for martial arts and single-colored wardrobes are chosen by a giant head to become a team of superheroes who ride robot dinosaurs: The Mighty Morphin Power Rangers.


The '90s had something against the suffix "ing."

But Actually ...

Power Rangers was actually a combination of three separate Japanese series that were all in the popular "people in colored costumes punching monsters" family of shows.


Honestly? They kinda all look the same.

Some new scenes were shot with American actors, but in the rest, it wasn't them in the costumes -- in reality, you were looking at footage from a series about prehistoric humans who evolved from dinosaurs. So, for example, whenever you saw Trini the Yellow Ranger in her full body costume, it was actually just her voice redubbing the dialogue of some Japanese dinosaur dude.


That is a suspicious crotch bulge for a girl.

The reason they had to combine different shows is that the episodes of the original one ran out pretty fast and they couldn't just end Power Rangers and start another franchise since, well, they were making far too much money. In order to stretch things out, they would use tricky editing to, for instance, show a robot from one series launch an attack ...


... then cut to a monster from a completely different series getting blasted with it ...


... while never showing the two in the same frame.

Remember the unfortunately named White Power Ranger who joined the team later on? He was transplanted from a different series, too, which is why you rarely saw him fighting at the same time as the other guys.

Also, he was a 10-year-old boy ...


Yep, this is what you wanted to be when you were 10 years old.

... and a huge pervert.

Yes, that's the elementary-school-age Ranger using his powers to look at schoolgirls' panties.


Zordon is looking up Megan's Law as we speak.

Actually, the fact that his sword has a little tiger head that talks to him is the least bizarre thing in that video. The rampant sexual harassment was a consistent part of the White Ranger's character, by the way. In the Japanese version, he had a disturbing tendency to "look up [the Pink Ranger's] skirt and touch her breasts." Shockingly, this subplot was completely dropped by the American adaption.


Except for that one time Tommy roofied Kim.

#4. They Just Pasted Spider-Man on Top of Another Character

The Classic Show You Loved:

Even if you never saw the original Spider-Man cartoon from 1967, there's a pretty good chance you can still recite every word in its theme song from memory. That's how big this show was -- Spidey had already existed for five years by then, but this show and the ones that followed it helped catapult the character from comic book hero to pop culture icon.

But Actually ...

If you did watch this show, however, you may have noticed that they tended to repeat a lot of footage. Sometimes it felt like they were taking old episodes and merging them together. This is mainly because that's exactly what they were doing -- on the second and third seasons, the budget was reduced so drastically that producer Ralph Bakshi was forced to cut costs by recycling scenes from the first season ... and, at least a couple of times, from other cartoons.


Either that, or Marvel intended for Ant-Man's redesign to be totally nightmarish.

For example, the episode "Revolt in the Fifth Dimension" was actually repurposed from another show called Rocket Robin Hood, a futuristic series set in space. They literally took the original episode and replaced Robin Hood with Spider-Man in the animation cells, adding some existing shots of Spidey swinging around New York for good measure. However, the rest of the episode still took place in outer space, resulting in the trippiest Spider-Man cartoon ever.

After an introduction, the action starts when a little alien lands on Spider-Man's hand while he's standing on a rooftop. The alien gives Spider-Man a sphere containing all the knowledge from his destroyed galaxy.


"Let's hope nobody notices this is basically the plot to Heavy Metal."

Naturally, Spider-Man wants to give this information to the government, but then he finds himself inexplicably propelled across dimensions ...


On the plus side, he's not dancing.

... reaching a place called Dimentia Five, where this happens:


Man, this made a whole lot more sense when it was Robin Hood in it.

Eventually Spider-Man meets the one responsible for all this madness, a bug-like creature whom he confronts on a giant hand that happens to be there. We never find out who it belongs to.


"I've just come out of the shower, Spider-Man. This is really inappropriate."

Finally, Spidey realizes he can exit this place by closing his eyes and pretending it isn't there.


The same approach taken by all the horrified 10-year-olds watching this episode back then.

Here's the original Rocket Robin Hood episode -- it's the exact same thing. Note, however, that at least Bakshi had the decency to remove that haunting and wholly inexplicable photo of a cat that appeared at 1:43.


Which is weird because nobody remembered putting it there.


#3. Voltron Was Two Shows Edited Together

The Classic Show You Loved:

The premise of Voltron couldn't be simpler: Five lion-shaped space robots combine into a bigger robot and kick ass all over the galaxy. In the second season they introduced a different Voltron made out of cars, but soon enough the far more popular lion version was brought back.


Because a robot made of cars would make no sense.

But Actually ...

You've probably guessed by now that Voltron was a combination of two different shows (the one with the lions and the one with the cars). What you might not know is that in the process of editing these two Japanese cartoons together, they cut out enough gore, death and atrocities to make up seven more Saw movies. Seriously, this shit is heavy -- like this censored scene from the very first episode that starts out innocently enough, and then this happens:


Goodbye innocence.

Or this one where some alien slaves are brutally whipped, or this other one where they're whipped again, even harder. Or, hey, how about some mass destruction and screaming babies? Or this dude shooting himself in the head. Some of these are choreographed like Tarantino movies.


"Don't worry, kids! There's always a way out of your crippling depression!"

It just goes on and on. There was at least one violent character death in every episode, and the people adapting this thing for American television had to flip over backward to cut all that stuff out and still end up with a show that made some degree of sense. For example, in the U.S. version, the good guys always made sure to mention that the enemies had been evacuated from their ships before they were blown up, or that they were all actually robots. Their Japanese counterparts simply did not give a fuck. Here's one of the good guys brutally impaling a dude:

Not even the main characters were safe: When the character Sven was dramatically killed off in Japan, the U.S. version "saved" him by adding a completely disconnected line of dialogue about taking him to a doctor -- to which he replies "Take me there fast!" in a ridiculous voice, when he's already dead (at 0:44 in this clip).

In the end this worked out for the best, though, because this character was so popular in Japan that they eventually introduced his twin brother -- in the U.S. version, the brother was simply a recuperated Sven coming back to the team like nothing happened. Another time, they made up for the fact that the main character was obviously crying (over yet another censored death) by having him comment that the heat in his spaceship was getting really intense.


"I just ... I just REALLY LIKE THESE EYE DROPS, GUYS."

#2. Battle of the Planets Was Recycled Into Three Different Shows

The Classic Show You Loved:

Battle of the Planets is about a group of five teens in bird costumes who travel across the universe fighting an evil galactic empire, with the help of their robot sidekick.


At no point do planets literally battle, sadly.

Or, if you're a little younger, you might remember those guys as an Earth-based superhero team called G-Force, and if you're even younger than that, you might swear that they're called Eagle Riders. Well, there's an explanation for all that ...

But Actually ...

This is like the opposite of all the other examples in this list, because in this case, a single show from Japan (Science Ninja Team Gatchaman) was recycled into three different cartoons in America. The first and possibly most famous was Battle of the Planets, which debuted in 1978 and hilariously tried to pass off Gatchaman as a Stars Wars rip-off, even though it wasn't even set in space.


Notice there's no robot. And that they're all tripping balls.

If it seemed like every strange alien planet the team visited looked exactly like Earth, that's because it always was -- the translators simply added a line or two saying "Hey, so, we're totally on another planet right now, you guys," when in fact they never even left Earth. The bad guys weren't aliens at all, they were just bad guys.


This is how all street thugs dress in Japan.

As for the annoying robot sidekick, 7-Zark-7 ... yeah, they just pasted that shit on top of the original cartoon. In retrospect, this was really obvious, because the two animation styles were radically different and you rarely saw members of the team interact with Zark (and if they did, it was through a screen), but as a kid you tended to overlook that sort of thing.


Because you were stupid.

7-Zark-7 was also used to make up for all the violent or depressing scenes they had to cut out, because Japan can't just make a damned cartoon without trying to bring everyone down. So, for example, a scene like this with 7-Zark-7 flapping around and literally doing nothing for two minutes ...

... was typically created to replace another scene like this one where the two main guys (Mark and Jason in the U.S. version) beat the crap out of each other while sounding all angsty and dramatic.


They tried a funny dub, but it was undermined by Mark repeatedly punching Jason in the face.

Other times, they used Zark to explain that someone who died in the episode was actually OK, even if we literally just watched them explode into a million pieces, like in this U.S./Japan comparison:

So you see the couple (whose bodies have been rigged to explode) embrace their fate:


And right at the moment where the Japanese version shows them being blown to chunks:


The American version has the robot:


"And then they lived happily ever after in a completely non-jarring tonal shift!"

Incidentally, in the Japan version the bad guy, Zoltar, was actually a hermaphrodite -- in the U.S., they simply pretended that his female form was his "sister," leading to all sorts of crazy sitcom-like misunderstandings.


One episode had him meeting his boss while having dinner with his family in the same restaurant.

Two more Gatchaman adaptations were created later on: G-Force in the '80s and Eagle Riders in the '90s (in the middle of the Power Rangers boom). G-Force used the exact same episodes as Battle of the Planets, but with the reduced censorship and lack of Star Wars copyright infringement, it was practically a different show. We're looking forward to the next iteration, Bird Naruto SquarePants 3D.

#1. Robotech Was Three Unrelated Shows Pasted Together (And It Worked)

The Classic Show You Loved:

Robotech is credited with starting the interest in Japanese animation in the U.S. when it debuted in the '80s -- others came first, but this is the one that proved that animated shows didn't necessarily have to be dumbed down, hacked up pieces of shit with no consistency or character development to make it in America.


Not when we can just do it ourselves by taking things out of context!

Robotech is an epic multi-generational saga showing Earth's decades-long war against ruthless alien invaders, beginning in the futuristic year 1999. The most fascinating thing about it was the way the world's landscape changed as its protagonists were replaced by their descendants and successors -- not many animated shows would dare dumping their lead character halfway through the series and replacing him with someone else, and Robotech did that twice.


And everyone got a lot girlier with each change.

But Actually ...

Of course, this was all accidental. The only reason Robotech changed protagonists is that it was actually three unrelated shows put together, one after the other, and it all happened because of broadcasting rules. You see, in 1984, an American distribution company wanted to license a Japanese series called Super Dimension Fortress Macross in the U.S., but there was one little problem: They needed 65 episodes to get the series into syndication, and Macross only had 36. So, they ended up buying two more shows (by the same animation studio, but featuring different characters and settings) and combined all three into one longer series.


Similarly, Finland tried this with Dallas, ALF and CHiPs, but it didn't quite take.

The first show was about an alien invasion (in a contemporary setting), the second about a futuristic war between humans and aliens and the third about post-apocalyptic Earth -- they simply pretended these were different stages of the same alien invasion, merging the three alien races into one, and that was it. Character names were changed to make it seem like they were related: For example, the main character of the second "generation" was said to be the daughter of two important characters in the first. While the plots were left largely unchanged, much of the dialogue was modified to create a consistent mythology. They even created an entirely new episode merging footage from the different shows to establish a direct connection.


Same person, but not really.

The shocking thing here is that the stunt actually worked -- watching Robotech, you wouldn't suspect it was three different shows unless someone told you. The thing is, they went out of their way to make sure the cobbled-together story made sense, when they could have just pulled a Voltron and left it at that. Robotech was a ratings success, and at one point they even had sequel series and an animated movie in development. The creators imagined "a huge, incredibly ambitious saga, that would eventually take the plot into a giant loop, ending where it began."

However, Robotech toys weren't selling as well as expected. Part of the problem was that several Macross models had already been licensed to other U.S. toy companies -- the single most recognizable robot in all of Robotech was off limits due to Hasbro licensing it as "Jetfire" of the Transformers series. Some of the stuff they tried to sell instead was kind of baffling:

PetiteOzma
That's a Robotech doll house, and we're not kidding.

Since the entire purpose of merging these three shows together was selling Japanese toys, the sequel plans were cancelled, and that was practically the end of Robotech -- almost every other attempt to revive the franchise has been aborted or never left the planning stages. But hey, at least they never compromised their dignity.

ebay
Well, almost never.




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